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Chicago (2002), Cert 12A. Director - Rob Marshall. Writer - Bill Condon. Starring - Renee Zellweger, Richard Gere, Catherine Zeta Jones, Queen Latifah, Lucy Lui, Mya & John C. Reilly. |
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Premise - Roxie Hart
(Renee Zellweger) is a wannabe cabaret star in Chicago of the 1920's. After
the man she is cheating on her husband with, reveals that he has been lying
about his Jazz contacts to get her into bed, Roxie shoots him dead. In jail
she hires suave lawyer Billy Flynn (Richard Gere) to get her off, all the
while vying for tabloid headlines with fellow jazz killer inmate Velma Kelly
(Catherine Zeta Jones).
I’m not the world’s
biggest fan of musicals, in-fact I can only name three that I rate above
average, The Wizard of Oz, Moulin Rouge and South Park: The Movie. I
basically have a hard time watching a movie where the cast spontaneously
burst into song every five minutes for no good reason. So it’s surprising
that I actually rate Chicago at all, because by all rights I should hate it.
It’s not as good as the musicals I mention above, but I give it a passing
mark, just.
Chicago is certainly
entertaining from a musical and visual point of view. The many (and I mean
many) musical numbers are quite catchy and the choreography is very
impressive. It’s even more impressive since I understand that only Catherine
Zeta Jones is a trained dancer. Jones also seems to be the best as far as
the singing goes, with Zellweger and Gere performing well, but they can
sound a little bit weak at times.
As far as the
non-singing parts of the film go everybody does very well. I am no fan of
Zeta Jones or Richard Gere, but both are good here with Jones apparently
well suited to the ice bitch role of Velma Kelly. Of course we all know that
Gere can play these kinds of charisma filled roles in his sleep and this
film is no exception. John C. Reilly has been very prolific this year, it’s
nice to see him in so many big movies; he finally seems to be getting the
audience he deserves. He’s played this kind of timid, down trodden role
before and does the business again here. I was surprised at the quality of
his singing in his number, although apparently he has done some musicals
before.
The big surprise for me
though was Queen Latifah as the prison guard Mama. Obviously she can hold
her own in the musical segments, but she is also very impressive in the
dialogue scenes. Lucy Lui has a small, but very memorable scene and keep an
eye out for R&B star Mya in another small role.
Director Rob Marshall
keeps the pace frenetic never letting the tempo drop for a second. Chicago
is his first feature film after a career of directing for the stage and he
appears to be happy within this kind of movie. The camera swirl’s about
during the musical numbers and the rest of the film is shot with a nice eye.
Cleverly, so as not to make the film like a recording of the stage
production, the musical numbers appear as is if they are happening in
Roxie’s mind. This allows Marshall to meld normal scenes with musical
numbers, it gives the film an almost dream like quality.
Where the film falls
down is not only my general hatred of musicals (which is admittedly my
beef), but also in the fact that there are very few characters with which to
connect with. All the main characters (and many of the peripheral ones) are
self serving, media hungry, generally unlikable people. You can’t feel any
sympathy for these people so in the end you don’t care if they live or meet
their maker on the gallows. Only John C. Reilly’s character is worthy of
your pity, but you could say that he is too weak, a bit of a wuss really.
Also, the overriding
theme of the fickle nature of the media has really been beaten to death in
movies over the past decade. The media creating celebrities out of criminals
has been done to death in films like ‘Natural Born Killers’ and has been
done better. It grows tiresome to see characters that you don’t really care
about, using increasingly cheap tactics to try and get more column inches
than the other.
There is much to enjoy
about Chicago, it’s highly entertaining from a visceral point of view, but I
feel you might be better served going to the theatre and seeing the live
show. Basically it’s going to come down to one factor, do you like musicals
or not? If so then you will probably eat up Chicago. If not give it a shot,
you never know, but chances are you will not be a fan.
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See Chicago if you enjoyed - Moulin Rouge, Cabaret. Poster Quote - Pretty jazzy. |