The Devil's Backbone (2001), Cert
15. Director - Guillermo Del Toro. Writer - Guillremo Del Toro. Starring - Eduardo Noriega, Marisa Parades, Federico Luppi, Inigo Garces & Fernando Tielve. |
Premise - Set against the
Backdrop of the tail-end of the Spanish civil war in 1939. The Devil's
Backbone tells the story of Carlos (Fernando Tielve) a young boy orphaned by
the war. He is sent to a secluded orphanage where he learns of hidden gold
and a mysterious missing child.
The Devil's Backbone (or 'El Espinazo Del Diablo' to give it it's original
Spanish title) is a gloriously creepy little ghost movie that just drips
with atmosphere. Director Guillermo Del Toro's precursor to 'Blade 2' pushes
all the right buttons to leave the viewer on edge after the credits roll.
Del Toro is clearly a very stylish director. His use of light and colour in
Backbone is perfect to accentuate the creepy, gothic look of the film. Of
course this should be no surprise to anyone who has seen his previous work.
Be it the good, but ultimately flawed 'Mimic', or the excellent take on the
vampire genre that was his debut feature 'Cronos' (definitely worth seeking
out). Even though I haven't yet seen Blade 2, I got enough from the trailers
to see that his rich visual style lives on in that film as well.
In the Devil's Backbone Del Toro takes full advantage of the brooding
orphanage where the film is shot. Light seeps in through sand blasted
windows and basements are adorned with gothic arches and foreboding, murky
pools of water. He uses a minimum of special effects in the film, they are
used to convey the story rather than 'be' the story. The 'Ghost' is very
well done, with a wispy aura and some excellent CGI flies buzzing around it
constantly.
The use of sound in the movie should also be applauded. The ghost is
referred to by the children as 'the one who sighs' and is presence is
announced by a dull, wailing sigh, very creepy. Another good use of sound is
in regard to the defused bomb that adorns the orphanage playground. It fell
on the same night that the child disappeared and the children say that they
can still hear it tick. It becomes another character through the use of
sound.
But is the film all style over substance?
Not a chance. As well as the creepy and compelling ghost story you also get
an intriguing look at spain during the civil war. Bombs fall, men are
executed and sympathisers flee to surrounding countries. I didn't know much
about the Spanish Civil War before seeing this film, but it made me look it
up. Entertaining and educational, you can't beat that!
The film boasts some impressive work from it's cast. Eduardo Noriega whom I
saw just last week in Abre Los Ojos (Open Your Eyes) continues to impress me
as the grounds keeper. He was previously a child at the orphanage and never
left. This performance is the complete opposite of Cesar in Abre Los Ojos.
Here he has nothing and is doing his damnedest to get something. Also good
is Federico Luppi as Dr Caseres, he is a kindly old sage of a man whom acts
as a father to the children.
Stand out's however are the children themselves. Fernando Teilve is just
captivating as Carlos and Inigo Garces as bully Jaime shows and amazing
amount of range. I'm usually resistant to kids acting in movies as for the
most part they are pretty bad (Damn you Jake Lloyd!), however all of the
kids in Devil's Backbone are excellent.
I'll be interested to see 'The Others' as it seems to share similar themes
to Devil's Backbone, ghosts, kids and a Spanish director.
I was thinking that The Devil's Backbone would have made a good movie for
kids. It's not dissimilar in themes to stuff like Hansel and Gretel and
other Grimm fairy tales. If it weren't for the swearing, violence and one
sex scene then I would urge parents to let their kids see it, as I'm sure
they would enjoy it.
If you are looking for a creepy, gothic ghost story with an amazingly
stylish look, some great performances and aren't put off by subtitles then
look no further than The Devil's Backbone.
8/10 for The Devil's Backbone. Poster Quote - Do you have the backbone for it? |