Dog Day Afternoon (1975),
Cert 15. Director - Sidney Lumet. Writer - P. F. Kluge. Starring - Al Pacino, John Cazale, Charles Durning & Lance Henriksen. |
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Based on actual events, Dog Day Afternoon tackles the
issues of media and instant celebrity long before 'Natural Born Killers' was
even a twinkle in Quentin Tarantino's eye. Sure, it doesn't delve too deeply
into the issue, but it does address it and that is to be commended for a
film from 1975 when this phenomenon was in its infancy (No OJ yet). Not to say that Dog Day afternoon is a 'preachy'
film. Like I say, it touches on this issue, but is not overwhelmed by
hammering a message home to the audience. Rather the film is the story of
one hot day in the life of Sonny. Sonny is a married man with children, whom
we learn is robbing the bank to pay for his gay lover’s sex change
operation. A strange turn of events to be sure and all the more
compelling because the film is a true story. The movie starts off simple
enough, Sonny and Sal start the robbery, but through a string of
increasingly bizarre events the cops appear on the scene and the robbery
goes all to hell. We never do learn why the cops were tipped off (or maybe I
just missed it?) and it did bother me slightly that this wasn't explained.
Not enough to put me off this wonderful film however. These early scenes of the robbery set the tone for
the rest of the film. The incompetence of Sal and Sonny and the string of
coincidences that ensue give the film a vein of black humour that had me
killing myself laughing. Sonny is so on edge and everything that can go
wrong generally does, from asthma suffering guards, to bank tellers needing
to visit the bathroom. It's some funny stuff and the black comedy continues
throughout the film in the scenes with Sonny out on the street outside the
bank. As the film goes on the scenes in the bank have a
strange air to them. There is a bucket load of tension, but the hostages
seem to be enjoying themselves during their ordeal. Dancing and laughing,
like they don’t see Sonny & Sal as a real threat. A touch of Stockholm
syndrome sneaking in by the looks of things. The viewer however sees things
a little differently. Whilst we may also not consider Sonny that much of a
threat the silent, sweaty Sal is a different kettle of fish. Director Sidney Lumet shoots the film with a great
feeling of claustrophobia. The bank feels very small and very full with the
large amount of characters that are in it. The hot New York afternoon,
coupled with the loss of the air conditioning heightens the tension filled,
claustrophobic atmosphere. This feeling along with the liberal sprinkling of
black humour makes for a different and ultimately satisfying movie watching
experience. I couldn't really talk about Dog Day Afternoon and
not mention Al Pacino's tour de force performance as Sonny. This film along
with the likes of The Godfather shows just how good Al Pacino is an actor.
He is effortless, blending into characters taking them over and getting
under your skin. You watch this film and you don't think, 'hey there's Al
Pacino.', you think, 'Hey, there's Sonny!'. Sonny is a very likeable
character, but he does some unlikable things. It's the genius of Pacino that
allows the audience to warm to a man who is basically a petty thief. Elsewhere in the film is John Cazale as Sal. Sal is
a cold character, very ambiguous. A man of few words, but you just get a
feeling that he is capable of using his automatic weapon. One scene where he
tells a teller off for smoking is chilling to the bone, you don't know what
he's going to do and it's spine tingling. Keep an eye out for a very young
looking Lance Henriksen in a small part and a top bit of work from Charles
Durning as the cop in charge of the operation outside the bank. I only really had one small problem with the film.
Whilst for the most part Lumet keeps the pacing tight to match the tension
there is one scene that I felt dragged on a little too long. The scene with
Sonny talking to his male wife on the telephone seemed aimless and went on
for a smidge too long. Upon researching the film I found out that this
screen was almost entirely improvised by Pacino and the other actor. It
shows, badly, a little trimming would have gone a long way in that scene. Aside from that though Dog Day Afternoon is a
superior black comedy with a stunning central performance and a nice line in
media satire that is a few years ahead of it's time. A modern classic that
is definitely worth your precious time seeking out.
Premise - When Sonny (Al Pacino) and Sal
(John Cazale) decide to rob a small bank in Brooklyn New York, little do
they realise that it will turn into a hostage situation and a media circus.
/10. Poster Quote - The dogs bollocks. |